ZOMBIE INTERVIEW

Rob Zombie Talks "The Lords of Salem", Woolite Commercial, and Next "Dark, Crazy" Record

Rob Zombie really can do it all.

He's one of the most versatile artists in history seguing from making music to making movies seamlessly and always creating unique, unforgettable, and undeniable art no matter the medium. Right now, Zombie's busier than ever.

He's gearing up for what's bound to be a legendary tour with Slayer aptly titled "Hell On Earth", he just wrapped up a commercial for Woolite, he's contemplating new music, and he's about to get started on his next feature, The Lords of Salem. Even though he's beyond busy, he preserves that palpable passion for every nuance and detail that made White Zombie records like Astro-Creep: 2000 - Songs of Love, Destruction and Other Synthetic Delusions of the Electric Head classics. Zombie approaches each work with a pure enthusiasm that's infectious when he speaks and even more infectious when the finished product is ready?

In between all of this, Rob Zombie sat down for an exclusive interview with ARTISTdirect.com editor and Dolor author Rick Florino about the commercial, touring with Slayer, The Lords of Salem, and what he keeps learning along the way.

Did you get to apply a lot of your personal storytelling techniques to the Woolite commercial? You have to tell a story in about 30 seconds so it's not that different from what you normally do.

Somewhat! It was an interesting situation to handle. It was just one of those projects that came to me. I wasn't searching out shooting a commercial. A lot of directors do commercials, but most of the time they don't talk about it so you don't realize it. I just thought it was cool so I'd been mentioning it. I was on tour in Australia when it came up. I got a call that this ad agency had pitched this crazy idea to Woolite, and they wanted me to direct it. They essentially wanted a commercial that the first half resembled a horror movie trailer. They needed something along those lines, and they thought I could handle it. It was fun. We shot it over two days in Vancouver. My director of photography who worked on Halloween II came in and worked with me. I like doing things like that for the experience. It was like when I did CSI, I wanted the experience of doing a television show. You just want to have it under your belt. Also, the more direct gigs I can get between films, I always learn something from everything.

You can take everything you learn and infuse it into the next feature as well.

Yeah, there's always something because every situation calls for a different set of techniques, and it's just a good experience. Experience is the one thing that you always want to be gathering. I don't know how this is useful, but it will be at some point someday.

Your career is a testament to that. Each art form you immerse yourself in will inform the next.

Exactly! It's always good to shake it up and step outside of what you would normally do because it forces you to think about things a different way. If you're always doing the same thing, you fall into a big rut. Whenever these opportunities come up, I'm intrigued. With this commercial in particular, I was more interested in shooting the moments that weren't supposed to be dark and scary because that's a different type of challenge for me. It's something that I wanted people to see. Sometimes, people pigeonhole you. They think, "We didn't call him for that because he doesn't do that." It's nice when you have more diverse things on your resume so to speak.

Where there any commercials you remember being inspired by as a kid?

I'm sure there was stuff, but it's all sort of a blur. Some commercials are absolutely horrible, but some are absolutely brilliant. Like you said, you have to tell a story in about 30 seconds. That's how long this spot was. Some are really funny and cool. There was that famous commercial during this past Super Bowl with the little kid as Darth Vader. It was a great commercial. You're selling a product, but it's cool when it can be done in a skillful, artful way that's actually entertaining as opposed to being just crass like so many commercials are. When they come on, you just groan.

A commercial is even shorter than a song so the narrative is genuinely compact.

If you break it down, we probably told the whole story in a matter of 15 shots or something like that.

Where are you at on The Lords of Salem?

We're in early pre-production. It's a very effects-heavy movie so the effects department had to start much earlier than they have on my other films. They've been working for a month or so now, building and working on things. Once I finish the tour with Slayer, then we'll go into full-blown pre-production with everything. The difference with film as opposed to the other films I've done, the producers on this are the guys who did Paranormal Activity. They have a different company and they run it a different way. I've been working on this movie for a while in different ways. Usually, you're not working at all and the studio goes, "Okay, green light! We need it done by this time" and you're in complete madness. Whereas this time, I've already location-scouted many times so I have a lot of locations. It's a more drawn out process which is good because you get to dig deeper into the project. From the moment Halloween II started to when it was in theaters, it was a period of about seven months. That's complete madness. You're just racing like maniac every single day to get it done. It's nice to have a little more time to reflect on what you're trying to accomplish. We'll start shooting at the end of the summer.

Are you going back to Massachusetts to shoot?

For some of it probably.

Salem has so much history that has never been really explored in a movie.

And it's a very unique-looking town when it comes to the architecture of the buildings and the streets. I had kind of forgotten. I hadn't been there since I was a kid, and I went back there recently to do some scouting. I forgot how interesting the houses and the buildings were. It's very cinematic. It's a great back backdrop for something like this.

Is the film deeply connected to your song "The Lords of Salem"?

Not really, the film idea actually came first. I had the idea for the movie a long time ago. I started writing the script and, at one point, I was possibly going to do it as a comic. I just get ideas, and I'm never really sure how they're going to manifest themselves eventually. I shelved that for a while, but I still liked the title. Then, it became a song. The song is actually sort of about the Salem Witch Trials. In the last year or so, it popped back up. I found the script, and I thought, "This is pretty cool" so I went ahead with trying to get it made.

You and Slayer do very different things, but you speak to the same audience.

I think it's a good match because it's not unlike the tour with Alice Cooper where both acts are very different, but there's a certain sensibility that crosses over in both audiences. Rather than two full sets of being pounded over the head with the same type of thing, musically we're so different and we complement each other well. It feels like it's going to be a really great tour.

Have you begun working on any new music yet?

I was actually talking about it with John 5 the other day for a long time. We're very excited to get back to it. I feel like it's been a journey back. It's like the long way around. Educated Horses was sort of this weird reformation of the band. Hellbilly Deluxe 2 was edging back to the old days. Now, with the new band, we really want to take it back to the beginning in a weird way?just a dark, crazy Zombie record. It's almost exactly like what I think people would want us to do.

Miasma – Proyek Film Zombie Indonesia

Menggali kuburan lalu menyuruh mayat didalamnya untuk bangun dan berakting adalah pekerjaan yang tidak mungkin, kecuali anda adalah Ki Bidin yang punya ajian sakti untuk membangkitkan orang mati. Namun semuanya menjadi mungkin ketika berbicara soal film (Ki Bidin toh juga adalah karakter fiktif di film Jaka Sembung, walau saya juga percaya dengan hal berbau supernatural dan di dunia ini pasti ada orang yang sanggup membangunkan mereka yang sudah mati), di film kita bisa melihat mereka yang mati bangkit kembali entah karena virus atau dengan alasan-alasan yang kadang tidak diterjemahkan secara gamblang. Kalian pasti tahu film apa yang saya sedang bicarakan, yup film zombie, tapi kali ini saya tidak akan berbasa-basi tentang zombie luar negeri melainkan buatan dalam negeri alias zombie lokal.

Walau tema film zombie sendiri masih terasa asing bagi budaya film horor Indonesia, yang masih terbiasa dengan horor atmosperik berisi pocong dan kuntilanak (dua hantu populer) atau hantu-hantu lainnya, tapi jangan salah sudah ada beberapa film zombie yang bermunculan (kebanyakan memang berakar dari  film-film  independent). Miasma adalah salah-satu film zombie yang akan meramaikan “march of the dead” di sinema horor kita. The Rescue sudah memulainya di tahun 2008, film yang dibesut oleh Raditya Sidharta dan tergabung dalam horor antologi “Takut: Faces of Fear” tersebut, seperti sebuah secercah harapan jika Indonesia juga bisa membuat film zombie yang  berkualitas dan menakutkan. Tidak mau kalah dengan “Backpackers” (Phobia 2) asal Thailand yang sama -sama mengusung tema yang sama dan tergiur untuk “membudayakan” film zombie di negeri sendiri, proyek Miasma hadir dengan semangat yang besar untuk melakukan gebrakan di ranah horor lokal, yah siapa tahu Indonesia kelak akan terkenal dengan zombie-nya seperti apa yang sudah dilakukan Eropa (La Horde, Shaun of the Dead) dan Hollywood (Dawn of the Dead, Zombieland).

Proyek “Miasma” sendiri tergerak dari sebuah keinginan besar, semangat, dan idealis untuk membuat sebuah film zombie karya anak negeri. Proyek ini akan diproduksi oleh Tim JAJAL PROJECT dan ANEMONE CREATIVE STUDIO, bekerjasama dengan IZOC (Indonesian Zombie Club) atau Komunitas Zombie Indonesia dan beberapa komunitas seperti: Komunitas 2 siang Univ. Budi Luhur, SINEMA (Sineas Muda SMK Manggala), KOFIMATANG (Komunitas Film Pendek SMAN 3 Tangerang), dan Indonesian Beatbox Community. Ari Fastono & Dion Widhi Putra yang duduk di bangku sutradara, bukan orang baru dalam urusan mengarahkan mayat-mayat hidup berakting di depan kamera, mereka sebelumnya pernah terlibat juga dalam pembuatan film pendek bertema zombie, Sitanala & The Lost Tape.

Dikutip dari blog resminya:

    Konsep kita sebenernya mau berbicara tentang kondisi Indonesia sekarang yang sudah tidak kondusif lagi buat anak cucu kita dimasa depan, trus kita mau nyoba kasih gambaran tentang apa yang mungkin aja Tuhan lakukan sebagai ganjaran atas apa yang udah kita lakukan sekarang, terlepas itu hal baik atau hal buruk. Film ini sih intinya mau ngasih peringatan buat kita-kita aja warga Jakarta, biar lebih care sama tempat yang mereka tinggali. Dikarenakan kita tidak bisa ngomong sama mereka langsung, kita mau ngomong pake karya ini, semoga aja dengan berjalannya karya ini, nantinya ke mana-mana spirit kita ini bisa dimaknai oleh semua orang

Penasaran seperti apa filmnya, berikut ada klip “first look” yang menampilkan zombie-zombie kelaparan di Miasma.

    Sinopsis: Beberapa tahun setelah transmigrasi besar-besaran dikarenakan perpindahan Ibukota Negara. Jakarta menjadi kota besar yang mengalami fase “pengurangan perhatian” dari Pemerintah. Dan Jonggol sebagai ibukota Negara baru berkonsep Cyber Green Metropolis mencuri hati sebagian masyarakat dan membuat mereka sadar akan arti pentingnya lingkungan. Hingga suatu waktu, BMKG memprediksikan bahwa Matahari akan memancarkan suhu tertingginya pada periode 2 tahun mendatang, laporan ini membuat semua jajaran departemen Negara diberikan perintah untuk menanggulangi segala kerugian akibat peristiwa tersebut.

    Keputusan telah diambil dan Waktu yang diprediksikan terjadi, namun pemerintah telah mensiasati hari paling panas tersebut dengan membuat hujan buatan. Namun apa yang terjadi. Sepekan setelah hujan deras di pertengahan bulan Mei yang panas terjadilah peristiwa kematian massal akibat kerusakan otak yang masih misterius.

    6 jam berlalu dan Status ibukota Jakarta kini Siaga 1. Kerusuhan dan kekacauan ada di penjuru kota. Seluruh pasukan bersenjata yang diturunkan oleh Polri dan Dephankam, tidak berhasil mengamankan ibukota.

    Masyarakat yang terjebak di dalam kepanikan, tidak bisa saling mempercayai lagi dan mereka pun berlarian menyerang satu sama lain tanpa sebab yang jelas. Di tengah kekacauan itu, sekelompok orang yang dipimpin oleh seorang dari Satuan Khusus yang dibentuk oleh Departemen Kesehatan terus berjuang di tengah kekacauan.

    Akankah mereka terus hidup? Dan apa yang sebenarnya terjadi di Jakarta?

    Yang pasti Jakarta kini benar-benar ditinggalkan

    Dan mereka terlambat menyadarinya.

Silahkan kunjungi blog resmi “MIASMA” untuk tahu lebih banyak tentang proyek ini dan update-update terbarunya.

zombie

Zombie (Haitian Creole: zonbi; North Mbundu: nzumbe) is a term used to denote an animated corpse brought back to life by mystical means such as witchcraft.^[1]The term is often figuratively applied to describe a hypnotized person bereft of consciousness and self-awareness, yet ambulant and able to respond to surrounding stimuli. Since the late 19th century, zombies have acquired notable popularity, especially in North American and European folklore.

In modern times, zombies became a popular subject in horror fiction, largely because of the success of George A. Romero's 1968 film Night of the Living Dead ^[2]and they have appeared as plot devices in various books, films and in television shows. Zombie fiction is now a sizeable sub-genre of horror, usually describing a breakdown of civilization occurring when most of the population become flesh-eating zombies – a zombie apocalypse. The monsters are usually hungry for human flesh, often specifically brains. Sometimes they are victims of a fictional pandemic illness causing the dead to reanimate or the living to behave this way, but often no cause is given in the story.

source en.wikipedia.org